Products related to Familiarity:
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Familiarity
The third album from Bristolian electronic artist Henry Green, featuring extremely transportive ambient experiments and trips down other electronic avenues. 'Outside' exemplifies the album's high-tempo dance influences, while collaborations with leftfield pop group Colouring and soul vocalist Carmody veer into an ethereal indie folk realm.
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Familiarity Is the Kingdom of the Lost
A fast-paced romp through apartheid-era South Africa that exemplifies the creative human capacity to overcome seemingly omnipotent enemies and overwhelming odds. The picaresque hero of this novel, Duggie, is a dispossessed black street kid turned con man.Duggie’s response to being confined to the lowest level of South Africa’s oppressive and humiliating racial hierarchy is to one-up its absurdity with his own glib logic and preposterous schemes.Duggie’s story, as one critic puts it, offers “an encyclopedic catalogue of rip-offs, swindles, and hoaxes” that regularly land him in jail and rely on his white targets’ refusal to admit a black man is capable of outsmarting them. Duggie exploits South Africa’s bureaucratic pass laws and leverages his artificial leg every chance he gets.As “a worthless embarrassment to the authorities and a bad example to the convicts,” Duggie even manages to get himself thrown out of jail.From Duggie’s Depression-era childhood in urban Johannesburg to World War II and the rise of the white supremacist apartheid regime to his final, bitter triumph, Boetie’s narrative celebrates humanity’s relentless drive to survive at any cost. This new edition of Boetie’s out-of-print classic features a recently discovered photograph of the author, an introduction replete with previously unpublished research, numerous annotations, and is accompanied by Lionel Abrahams’ haunting poem, “Soweto Funeral,” composed after attending Boetie’s interment, all of which render the text accessible to a new generation of readers.
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Digital Stimulation : Fascination, Familiarity, and Fantasy in Human Relationships with Robots
Digital Stimulation explores the subject of intimacy, including romantic and sexual intimacy, between human and nonhuman entities, particularly technological entities.As relationships between humans and machines become increasingly prevalent, it is important to address the potential for such relationships to reflect, to reinforce, or to reinvent existing hierarchies.The distinction between man and machine, like the distinction between man and beast, between man and brute, between man and nature, between man and woman, and so on, is an expression of the anthropocentrism and androcentrism permeating western ideas of self and other.Concerns about the representation (or misrepresentation) and treatment (or mistreatment) of machines are of consequence for other human and nonhuman others as well, and this book details many of the ways in which depictions of machines, especially robots, mirror ideas and attitudes about various human and nonhuman others.This book also addresses the ongoing development of machines designed explicitly for intimate engagement with humans, such as sex robots.As they become more and more lifelike, it becomes progressively more urgent to cultivate compassion toward such machines.
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Mountains Piled Upon Mountains : Appalachian Nature Writing in the Anthropocene
Mountains Piled upon Mountains features nearly fifty writers from across Appalachia sharing their place-based fiction, literary nonfiction, and poetry.Moving beyond the tradition of transcendental nature writing, much of the work collected here engages current issues facing the region and the planet (such as hydraulic fracturing, water contamination, mountaintop removal, and deforestation), and provides readers with insights on the human-nature relationship in an era of rapid environmental change.This book includes a mix of new and recent creative work by established and emerging authors.The contributors write about experiences from northern Georgia to upstate New York, invite parallels between a watershed in West Virginia and one in North Carolina, and often emphasize connections between Appalachia and more distant locations.In the pages of Mountains Piled upon Mountains are celebration, mourning, confusion, loneliness, admiration, and other emotions and experiences rooted in place but transcending Appalachia's boundaries.
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Does warmth and familiarity not mean love?
Warmth and familiarity can certainly be aspects of love, but they do not necessarily equate to love on their own. Love is a complex and multifaceted emotion that involves care, respect, trust, and a deep emotional connection. While warmth and familiarity can contribute to a loving relationship, true love also requires understanding, communication, and a willingness to support and prioritize the well-being of the other person.
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What is meant by trust and familiarity?
Trust refers to the belief or confidence in the reliability, truth, or ability of someone or something. It involves a sense of security and confidence in the integrity and intentions of the person or entity being trusted. Familiarity, on the other hand, refers to the state of being well-known or accustomed to someone or something. It involves a sense of comfort and ease in interacting with or understanding the person or thing in question. Trust and familiarity often go hand in hand, as the more familiar we are with someone or something, the more likely we are to trust them.
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Doesn't warmth and familiarity mean the same as love?
Warmth and familiarity can be components of love, but they do not necessarily mean the same thing. Warmth refers to a feeling of comfort and kindness, while familiarity suggests a sense of closeness and understanding. Love encompasses a deeper and more complex set of emotions, including warmth and familiarity, but also includes elements such as trust, respect, and commitment. While warmth and familiarity can contribute to the experience of love, they do not fully capture its depth and complexity.
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How can you sign an email with your first name to express familiarity?
To sign an email with your first name to express familiarity, you can simply end the email with just your first name without any formal titles or closing phrases. This casual approach can create a more personal and friendly tone in your communication. Additionally, using an informal sign-off like "Cheers" or "Thanks" followed by your first name can also help convey a sense of familiarity. Remember to consider the context and relationship with the recipient to ensure that this level of informality is appropriate.
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Wind : Nature and Culture
By turns creative and destructive, wind spreads seeds, fills sails and disperses the energy of the sun.Worshipped since antiquity, wind has moulded planets, decided the outcome of innumerable battles and shaped the evolution of humans and animals - yet it remains intangible and unpredictable. In this book Louise M. Pryke explores the science behind wind, as well as how it has been imagined and portrayed in myth, religion, art and literature since ancient times.Its formative effect on the Earth's environment is reflected in its prominent role in myths and religions of antiquity.In the modern day, wind has inspired ground-breaking scientific innovations, and appeared in artistic works as diverse as the art of Van Gogh, the poetry of Keats and the blockbuster film Twister.
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Glacier : Nature and Culture
As major actors in the unfolding drama of climate change, glaciers feature prominently in Earth’s past and its future.Wherever on the planet we live, glaciers affect each of us directly.They control the atmospheric and ocean circulations that drive the weather; they supply drinking and irrigation water to millions of people; and they protect us from catastrophic sea-level rise.The very existence of glaciers affects our view of the planet and of ourselves, but it is less than 200 years since we realised that ice ages come and go, and that glaciers once covered much more of the planet’s surface than they do now.An inspiration to artists, a challenge for engineers, glaciers mean different things to different people.Crossing the boundaries between art, environment, science, nature and culture, this book uniquely considers glaciers from a myriad perspectives, revealing their complexity, majesty and importance, but also their fragility.
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Beyond Nature and Culture
Successor to Claude Levi-Strauss at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.
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Beyond Nature and Culture
Successor to Claude Levi-Strausa at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.
Price: 31.00 £ | Shipping*: 0.00 £
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How can one sign an email with their first name to express familiarity?
To sign an email with your first name to express familiarity, you can simply end your email with just your first name without any formal titles or signatures. This creates a more casual and friendly tone, indicating a level of familiarity with the recipient. Additionally, you can use an informal closing such as "Cheers" or "Best" followed by your first name to further convey a sense of closeness. Overall, keeping the sign-off simple and personal helps to establish a more informal and friendly relationship with the recipient.
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Do you like hiking in the mountains?
As an AI, I do not have personal preferences or physical capabilities to engage in activities like hiking. However, I can provide information and tips on hiking in the mountains if you are interested.
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Do you also find advertising annoying because it pretends to convey a good reputation, familiarity, and media scrutiny?
As an AI, I don't have personal feelings, but I can understand why some people find advertising annoying for those reasons. Advertising often tries to create a positive image of a product or brand, which can come across as insincere or manipulative. Additionally, the constant bombardment of advertisements can be overwhelming and intrusive. However, advertising is a necessary part of the business world and can be effective when done in a transparent and ethical manner.
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Is man a creature of nature or culture, or is culture the nature of man?
Man is a complex being influenced by both nature and culture. While humans are inherently part of the natural world, our behaviors, beliefs, and practices are largely shaped by the societies we live in. Culture can be seen as the nature of man in the sense that it is a fundamental aspect of human existence, shaping our identities and interactions with the world. Ultimately, the relationship between nature and culture is intertwined in shaping the essence of humanity.
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