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Records, Information and Data : Exploring the role of record keeping in an information culture
This dynamic book considers whether and how the management of records (and archives) differs from the management of information (and data).Can archives and records management still make a distinctive contribution in the 21st century, or are they now being dissolved into a wider world of information governance?What should be our conceptual understanding of records in the digital era?What are the practical implications of the information revolution for the work of archivists and records managers?Geoffrey Yeo, a distinguished expert in the global field, explores concepts of ‘records’ and ‘archives’ and sets today’s record-keeping and archival practices in their historical context.He examines changing perceptions of the nature and purpose of records management and archival work, notions of convergence among information-related disciplines, and archivists’ and records managers’ attitudes to information and its governance.Starting with Peter Morville’s dictum that ‘when we try to define information, we become lost in a hall of mirrors’, Yeo considers different understandings of the concept of ‘information’ and their applicability to the field of archives and records management.He also looks at the world of data science and data administration, and asks whether and how far recent work in this area can enhance our knowledge of how records function and how they relate to the information universe. Key topics covered include:The keeping of records: a brief historical overviewThinking about records and archives: the transition to the digitalArchivists, records managers and the allure of informationFinding a way through the hall of mirrors: concepts of informationRecords and data Why records are not (just) information; understanding records in the digital era. This thought provoking and timely book is primarily intended for records managers and archivists, but should also be of interest to professionals in a range of information-related disciplines.In addressing the place of record-keeping in contemporary information culture, it aims to provide a balance of theory and practice that will appeal to practitioners as well as students and academics around the world.
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Information
While information science draws distinctions between 'information', signals and data, artists from the 1960s to the present have questioned the validity and value of such boundaries.Artists have investigated information's materiality, in signs, records and traces; its immateriality, in hidden codes, structures and flows; its embodiment, in instructions, social interaction and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation, examining landmark exhibitions and re-examining work by artists of the 1960s to early 1980s, from Les Levine and N.E.Thing Co. to General Idea and Jenny Holzer.David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. Writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil.
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The Physical Nature of Information : A Short Course
A unified introduction to information theory for scientistsApplications of information theory span a broad range of disciplines today.This book presents a unified treatment of the subject for students and practitioners in the sciences.It teaches the tools universally used by physicists working on quantum computers and black holes, engineers designing self-driving cars, traders perfecting market strategies, chemists playing with molecules, biologists studying cells and living beings, linguists analyzing languages, and neuroscientists figuring out how the brain works.No matter what area of science you specialize in, The Physical Nature of Information unlocks the power of information theory to test the limits imposed by uncertainty. Provides a panoramic approach to information theoryDraws on examples from physics, engineering, biology, economics, and linguisticsApplications range from thermodynamics and statistical mechanics to dynamical chaos, information and communication theories, and quantum informationIncludes materials for lectures and tutorials along with exercises with detailed solutionsCan be used to design a one-semester introductory courseIdeal for self-study by graduate students and advanced undergraduatesInvaluable for scholars seeking new research opportunities
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Ontological Information: Information In The Physical World
This book is about the nature of information. It touches on many core issues of philosophy of the mind, ontology, and epistemology, and draws in several domain-specific concepts from physics, mathematics, thermodynamics, computer science, and biology.The terms used in this book, such as the mind, a conscious agent, meaning, and knowledge are used with very precise meanings because they can be easily misinterpreted.A proper understanding of these terms can be gained from the referenced literature.But more specifically, this book is about the concept of information as physical phenomenon.The book is a unique exposition of the concept of information as physical phenomenon.It provides the detailed analysis and synthesis of the current conceptualizations of information demonstrating the lack of common definition and their incompleteness.The detailed argument is provided why information may be defined as a physical phenomenon and why this type of information may be seen as fundamental to our understanding of this concept.
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Which radio stations offer different knowledge, culture, information, and news content?
There are several radio stations that offer a variety of knowledge, culture, information, and news content. For example, NPR (National Public Radio) is known for its in-depth news coverage and cultural programming. BBC World Service provides international news and cultural insights from around the globe. Additionally, local public radio stations often offer a mix of news, cultural programming, and educational content tailored to their communities.
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Do you like hiking in the mountains?
As an AI, I do not have personal preferences or physical capabilities to engage in activities like hiking. However, I can provide information and tips on hiking in the mountains if you are interested.
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Is man a creature of nature or culture, or is culture the nature of man?
Man is a complex being influenced by both nature and culture. While humans are inherently part of the natural world, our behaviors, beliefs, and practices are largely shaped by the societies we live in. Culture can be seen as the nature of man in the sense that it is a fundamental aspect of human existence, shaping our identities and interactions with the world. Ultimately, the relationship between nature and culture is intertwined in shaping the essence of humanity.
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Is man a being of nature or culture, or is culture the nature of man?
Man is a being of both nature and culture. While humans are inherently a part of the natural world, our ability to create and participate in culture sets us apart from other species. Culture shapes our beliefs, behaviors, and interactions with the world, becoming an essential part of our identity. Therefore, culture can be seen as the nature of man, as it influences and defines our existence in profound ways.
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The Information
Once close friends, writers Gwyn Barry and Richard Tull now find themselves in fierce competition. While Tull has spiralled into a mire of literary obscurity and belletristic odd jobs, Barry’s atrocious attempts at novels have brought him untold success.Prizes, prestige and wealth abound, and from far below Tull can only watch, stewing in torment. Until, that is, resentment turns to revenge. Consumed by the question of how one writer can really hurt another, Tull’s quest for an answer will unleash increasingly violent urges on both writers’ lives. ‘A funny, vicious portrait of literary London’ Evening Standard
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Information Overload
Ah, PLANET's latest offering, "Information Overload," is a wild rollercoaster ride through the twisted mind of this electronic music genius. From the moment you hit play, you're catapulted into a frenzy of glitchy beats, psychedelic synths, and mind-bending samples. The opening track, "Binary Brainwaves," sets the tone perfectly with its pulsating rhythms and otherworldly melodies. It's like being sucked into a vortex of sound and spat out into a parallel universe where robots rule the dance floor. Throughout the album, PLANET showcases his unparalleled production skills, effortlessly blending genres and styles to create a truly unique sonic experience. Tracks like "Data Delirium" and "Circuit Breakdown" are masterclasses in electronic music wizardry, with each layer meticulously crafted to perfection. But it's not all about the beats and bleeps – PLANET also throws in some unexpected curveballs, like the dreamy ballad "Digital Dreams" and the haunting ambient soundscape of "Ghost in the Machine." These moments of respite only serve to enhance the album's overall impact, leaving you craving more. In conclusion, "Information Overload" is a mind-bending journey into the heart of electronic music, and a testament to PLANET's boundless creativity. Strap yourself in, turn up the volume, and prepare to have your brain scrambled – in the best possible way.
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Inspiration Information
Shuggie Otis' "Inspiration Information" is a delightful musical journey that takes listeners on a whimsical ride through the groovy depths of funk and soul. From the moment you press play, you are transported to a psychedelic wonderland where Otis' smooth vocals and funky guitar riffs reign supreme. Each track is a carefully crafted masterpiece, blending elements of blues, jazz, and rock into a unique and mesmerising sound. Otis' musical talent shines through on every song, with intricate arrangements and infectious melodies that will have you bopping along in no time. The album's title track, "Inspiration Information," is a standout with its dreamy vibe and soulful lyrics that speak straight to the heart. One of the highlights of the album is "Strawberry Letter 23," a funky gem that is guaranteed to get your toes tapping and hips swaying. Otis' soulful voice soars over a funky bassline and infectious groove, creating a toe-tapping anthem that will have you hitting repeat again and again. Overall, "Inspiration Information" is a timeless classic that showcases Shuggie Otis' incredible talent and musical genius. It's the kind of album that you'll want to listen to on repeat, savoring every note and groove. So sit back, relax, and let Shuggie Otis take you on a musical journey you won't soon forget.
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Information
This book provides a comprehensive, easy-to-understand introductory guide to information, offering students the critical tools they need to shift their positioning from consumers and users to creators and critics. Searching, accessing, and using information are central to most daily lives.Yet, many users are not able to define what information is, identify who controls information, and create information to achieve a common good.In this book, Micky Lee teaches readers to critically interrogate key issues such as the categorization of information and knowledge throughout history, what digital divides are, why information is gender and race biased, how governments and corporations control citizens and consumers, as well as how we can resist unbalanced power relations.Readers will not only be able to relate these issues to "old" technologies, such as writing and printing, but will also be able to examine futurist technologies through the lenses of these enduring issues. A thoughtful and comprehensive overview, this is an ideal book for students and scholars of media studies, information and society, and communication and technology.
Price: 27.99 £ | Shipping*: 0.00 £
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Do you say "gathered information" or "found information"?
Both "gathered information" and "found information" are commonly used phrases, but they can have slightly different connotations. "Gathered information" implies a deliberate and systematic collection of data, while "found information" suggests a more incidental or accidental discovery. The choice between the two phrases depends on the context and the specific emphasis you want to convey.
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Is it said "gathered information" or "found information"?
Both phrases are commonly used and can be interchangeable depending on the context. "Gathered information" implies that the information was actively collected or assembled, while "found information" suggests that the information was discovered or came across. Ultimately, the choice between the two phrases depends on the specific circumstances and the tone you want to convey.
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Is culture a form of nature?
Culture is not a form of nature, but rather a product of human society. While culture can be influenced by nature and the environment, it is distinct in that it is created, shared, and passed down through generations by humans. Nature refers to the physical world and natural phenomena, while culture encompasses the beliefs, customs, arts, and social behaviors of a particular group of people.
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Is man a being of nature or culture?
Man is a being of both nature and culture. While humans are a part of the natural world and share many characteristics with other animals, they also possess the ability to create and participate in complex cultural systems. Culture shapes human behavior, beliefs, and values, influencing how individuals interact with their environment. Ultimately, humans exist at the intersection of nature and culture, with both aspects playing a significant role in shaping their identities and experiences.
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