Products related to Late:
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Late Book Culture in Argentina
Modern literary culture depended on the medium of the print book.Today, with the advent of digital technologies, it is far from apparent that print is, or should be, the vehicle of choice for contemporary writers.Print has been placed in relief, as the book becomes a site of experimentation with new platforms for writing.Among Latin American countries, none has been as crucial player in the world of print as Argentina.Argentine presses were the channel for many of the great modern literary experiments in Latin America.As such, it comes as no surprise that today, when those same presses have been gobbled up by transnational media conglomerates and digital technologies abound, Argentine writers would be attentive to the shifting media of literature.Late Book Culture in Argentina chronicles that shift.Epplin offers readings of some of the most innovative Argentine writers and collective projects of recent years: Osvaldo Lamborghini, César Aira, the cardboard publishing house Eloísa Cartonera, the poetry project Estación Pringles, Sergio Chejfec, and Pablo Katchadjian.This corpus provides a lens through which to understand the numerous experiments with literary formats in Argentina today.These experiments take on a number of forms—digital, artisanal, and collective—and they provide the ferment for some of Argentina’s most audacious contemporary literature.As such they deserve critical attention and theoretical examination.
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Late, Late Show
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Queer Books of Late Victorian Print Culture
Queer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire.Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde.It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama.King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture.Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality.
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Kant's Late Philosophy of Nature : The Opus postumum
Kant's final drafts, known as his Opus postumum, attempt to make what he calls a 'transition from the metaphysical foundations of natural science to physics.' Interpreters broadly agree that in this project Kant seeks to connect the general a priori principles of natural science, as set out in the major critical works, to the specific results of empirical physics.Beyond this, however, basic interpretative issues remain controversial.This Element outlines a framework that aims to combine the systematic ambition of early twentieth-century readings with the rigor of more recent studies.The author argues that a question that has animated much recent scholarship – which 'gap' in Kant's previous philosophy does the Opus postumum seek to fill? – can be profitably set aside. In its place, renewed attention should be given to a crucial part of the manuscript, fascicles X/XI, and to the problematic 'arrival point' of the transition, namely, Kant's question: What is physics?
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How late is fashionably late?
Fashionably late typically means arriving 10-15 minutes after the designated start time of an event. This allows for a graceful entrance without causing too much disruption. However, it's important to consider the specific event and the expectations of the host or organizer, as different occasions may have different standards for what is considered fashionably late. Ultimately, it's best to use your judgment and consider the context of the event when deciding how late is fashionably late.
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Do you like hiking in the mountains?
As an AI, I do not have personal preferences or physical capabilities to engage in activities like hiking. However, I can provide information and tips on hiking in the mountains if you are interested.
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Is man a creature of nature or culture, or is culture the nature of man?
Man is a complex being influenced by both nature and culture. While humans are inherently part of the natural world, our behaviors, beliefs, and practices are largely shaped by the societies we live in. Culture can be seen as the nature of man in the sense that it is a fundamental aspect of human existence, shaping our identities and interactions with the world. Ultimately, the relationship between nature and culture is intertwined in shaping the essence of humanity.
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Is man a being of nature or culture, or is culture the nature of man?
Man is a being of both nature and culture. While humans are inherently a part of the natural world, our ability to create and participate in culture sets us apart from other species. Culture shapes our beliefs, behaviors, and interactions with the world, becoming an essential part of our identity. Therefore, culture can be seen as the nature of man, as it influences and defines our existence in profound ways.
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The Body in Late Medieval and Early Modern Culture
Taking as its chronological starting-point the female body of late medieval devotional literature, the volume moves on to a consideration of the representation of gendered bodies in later literature.It then proceeds to examine sixteenth-century occupational orderings of the (male) body in education, the civil service and the army, and involves explorations into a variety of rituals for the purification, ordering and disciplining of the flesh.It includes enquiries into the miraculous royal body, demon bodies, the 'virtual' body of satire, and ends the late seventeenth century with dramatic representations of the diseased body, and the grotesque bodies of travellers’ tales as signifiers of racial difference.It pushes forward post-modern notions of the body as a site for competing discourses.It provides new dimensions to fantasies, rituals and regulations in narratives ('fictions') of the body as identifications of forms of knowledge unique to the early modern period.Each of the essays sheds new light on how these late medieval and early modern narratives function to produce specialized and discrete languages of the body that cannot be understood simply in terms, say, of religion, philosophy or physiology, but produce their own discrete forms of knowledge.Thus the essays materially contribute to an understanding of the relationship between the body and spatial knowledge by giving new bearings on epistemologies built upon pre-modern perceptions about bodily spaces and boundaries.They address these issues by analysing forms of knowledge constructed through regulations of the body, fantasies about extensions to the body and creations of bodily, psychic, intellectual and spiritual space.The essays pose important questions about how these epistemologies offer different investments of knowledge into structures of power.What constitutes these knowledges? What are the politics of corporeal spaces? In what forms of knowledge about spatial and bodily perceptions and p
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The Late, Late Show (Bonus Tracks Edition)
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Inventing Laziness : The Culture of Productivity in Late Ottoman Society
Neither laziness nor its condemnation are new inventions, however, perceiving laziness as a social condition that afflicts a 'nation' is.In the early modern era, Ottoman political treatises did not regard the people as the source of the state's problems.Yet in the nineteenth century, as the imperial ideology of Ottomanism and modern discourses of citizenship spread, so did the understanding of laziness as a social disease that the 'Ottoman nation' needed to eradicate.Asking what we can learn about Ottoman history over the long nineteenth-century by looking closely into the contested and shifting boundaries of the laziness - productivity binary, Melis Hafez explores how 'laziness' can be used to understand emerging civic culture and its exclusionary practices in the Ottoman Empire.A polyphonic involvement of moralists, intellectuals, polemicists, novelists, bureaucrats, and, to an extent, the public reveals the complexities and ambiguities of this multifaceted cultural transformation.Using a wide variety of sources, this book explores the sustained anxiety about productivity that generated numerous reforms as well as new understandings of morality, subjectivity, citizenship, and nationhood among the Ottomans.
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Late Developers
Arriving almost back-to-back to 2022's Top Ten album 'A Bit of Previous', 'Late Developers' comes on like its predecessor's sun-kissed cousin. It is a full-hearted embrace of the band's brightest tendencies that is not only fresh and immediate but possessing of that Belle and Sebastian je ne sais quoi of a group that will always be there for you with the perfect word or melody for the moment, while admitting tunefully that 'Every girl and boy / each one is a misery' ('When The Cynics Stare Back From the Wall'). 'Juliet Naked' channels frantic Billy Bragg-energy with rugged electric guitar and a football stadium worthy chant from Stuart Murdoch. The aforementioned 'When the Cynics Stare Back From the Wall' is an unearthed 1994-era pre-Belle and Sebastian gem, with help from Camera Obscura's Tracyanne Campbell. 'So in the Moment' is breathless psychedelic pop that is arguably one of Stevie Jackson's best ever songs. 'When We Were Very Young' is Smiths-esque jangle rock that is bittersweet, devotional and yearning: 'I wish I could be content / With the football scores / I wish I could be content with my daily chores / With my daily worship of the sublime'.
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Is culture a form of nature?
Culture is not a form of nature, but rather a product of human society. While culture can be influenced by nature and the environment, it is distinct in that it is created, shared, and passed down through generations by humans. Nature refers to the physical world and natural phenomena, while culture encompasses the beliefs, customs, arts, and social behaviors of a particular group of people.
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What does the term "late growth spurt late bloomer" mean?
The term "late growth spurt late bloomer" refers to an individual who experiences a significant increase in physical growth or development later than their peers. This can manifest as a sudden growth spurt in height, muscle mass, or other physical attributes during adolescence or even into adulthood. While they may have initially appeared behind in their development compared to others, they eventually catch up and reach their full potential.
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What is the difference between "too late" and "much too late"?
"Too late" indicates that something is already past the appropriate or desired time, while "much too late" emphasizes that the timing is significantly and excessively delayed. "Too late" suggests a sense of missed opportunity or inconvenience, while "much too late" conveys a stronger sense of regret or irreversibility. The addition of "much" intensifies the lateness, emphasizing the severity of the delay.
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Is it unhealthy to stay up late but wake up late?
Staying up late and waking up late can disrupt the body's natural circadian rhythm, which can have negative effects on overall health. It can lead to poor sleep quality, increased risk of obesity, and higher likelihood of developing chronic conditions such as diabetes and heart disease. Additionally, waking up late may result in missing out on important morning sunlight, which can impact mood and energy levels. Therefore, it is generally considered unhealthy to consistently stay up late and wake up late.
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