Products related to Museums:
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The Culture Box : Museums as Media
In The Culture Box, Harley Parker applies Marshall McLuhan’s medium theory to the museum, analyzing the museum as the site of many media and specifying the ways in which designer-communicators can engage in inter-sense design to connect audiences and artifacts.Parker argues that museums should be in the business of retraining the sensory perception of visitors, and that they can foster cultural engagement, participation, and empathy.In order to accomplish this, he recommends the construction of what he calls a “new centre,” emphasizing both “new” and “news,” a small “newseum,” as he put it.Parker’s vision of such a building would be built adjacent to any existing large prestige museum, and would always consist of three exhibits: a current public exhibition, an exhibition in process, and an area for gathering materials for a forthcoming exhibition.The newseum would be a flexible space inside and out, where many minds could meet to discuss, debate, and analyze contemporary events.Parker sought participation from across generations, cultures, and worlds.This critical edition of The Culture Box revives Parker’s unpublished manuscript, one that promised to be a key contribution to the Toronto School of Communication before it was lost for some fifty years.Parker’s daughter, Margaret Parker, discovered the full manuscript (a typescript of 350 pages) inside a briefcase among Parker’s personal belongings.Working closely with Parker’s estate, Gary Genosko has edited, annotated, and introduced this rediscovered manuscript.Genosko presents an overview of the book’s leading ideas, provides references to Parker’s source materials, and offers explanatory footnotes to the salient texts by McLuhan and others.Scholars in communication, media, and curatorial studies will benefit from Parker’s book, as will those interested in sensory design and McLuhan studies.
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Museums and the Interpretation of Visual Culture
This is a multi-disciplinary study that adopts an innovative and original approach to a highly topical question, that of meaning-making in museums, focusing its attention on pedagogy and visual culture. This work explores such questions as:How and why is it that museums select and arrange artefacts, shape knowledge, construct a view?How do museums produce values?How do active audiences make meaning from what they experience in museums?This stimulating book provokes debate and discussion on these topics and puts forward the idea of a new museum - the post-museum, which will challenge the familiar modernist museum.A must for students and professionals in the field.
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Decolonize Museums
Behold thesleazy logic of museums: plunder dressed up as charity, conservation, and care. The idealizedWestern museum, as typified by the Metropolitan Museum of Art, the BritishMuseum, and the Museum of Natural History, has remained much the same for overa century: a uniquely rarified public space of cool stone, providing anexperience of leisure and education for the general public while carefullytending fragile artifacts from distant lands.As questions about representationand ethics have increasingly arisen, these institutions have proclaimed theirinterest in diversity and responsible conservation, asserting both theiradaptability and their immovably essential role in a flourishing and culturallyrich society. With DecolonizeMuseums, Shimrit Lee punctures this fantasy, tracing the essentiallycolonial origins of the concept of the museum.White Europeans’ atrocities werereimagined through narratives of benign curiosity and abundant respect for theoccupied or annihilated culture, and these racist narratives, Lee argues,remain integral to the authority exercised by museums today.Citing pop culturereferences from Indiana Jones to Black Panther,and highlighting crucial activist campaigns and legal action to redress theharms perpetrated by museums and their proxies, Decolonize Museums arguesthat we must face a dismantling of these seemingly eternal edifices, andconsider what, if anything, might take their place.
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Sport in Museums
This book explores, in breadth and depth, the role of sport in museums.It surveys the history of sport in museums, including the growth in sport museums and halls of fame driven by major sports teams and sport organisations.The book considers the humanistic benefits of the promotion of sporting heritage within museums, and presents cases, museums stories and best practice from around the world. Sport in Museums is essential reading for all students, researchers, curators, and historians with an interest in sport.It is also a useful resource for researchers and advanced students working in museum studies, heritage studies or cultural history.
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'Museums Speicherstadt'
Museums Speicherstadt is a museum located in the historic Speicherstadt district of Hamburg, Germany. It showcases the history and development of the Speicherstadt area, which is the largest warehouse district in the world. The museum offers visitors a glimpse into the trading and shipping activities that have taken place in the area over the years. It also provides information on the architecture and unique features of the Speicherstadt district.
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Should museums be free?
Museums should strive to strike a balance between accessibility and sustainability. While offering free admission can make museums more accessible to a wider audience, it can also strain their financial resources. One potential solution is to offer free or discounted admission on certain days or for specific groups, while still charging regular admission to help support the museum's operations and preservation efforts. This approach can help ensure that museums remain accessible to all while also maintaining their long-term viability.
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'Museums in Saxony for Children'
Museums in Saxony offer a variety of interactive and engaging experiences for children. These museums often feature hands-on exhibits, workshops, and activities designed to educate and entertain young visitors. Some popular museums for children in Saxony include the Dresden Transport Museum, the German Hygiene Museum in Dresden, and the Saxon Museum of Industry in Chemnitz. These museums provide a fun and educational way for children to learn about history, science, and culture.
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'Museums in Saxony for children'
Saxony offers several museums that cater specifically to children, providing interactive and educational experiences. Some popular options include the Dresden Transport Museum, where kids can explore different modes of transportation, and the German Hygiene Museum in Dresden, which offers hands-on exhibits about the human body. The Senckenberg Natural History Museum in Görlitz is another great choice, with its diverse collection of fossils, animals, and interactive displays. These museums in Saxony provide a fun and engaging way for children to learn about history, science, and culture.
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Culture Strike : Art and Museums in an Age of Protest
In an age of protest, culture and museums have come under fire.Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders)--to say nothing of demonstrations over exhibitions and artworks--have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum.At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture. As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests.Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy--she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence. In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies.She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.
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Decolonizing Museums : Representing Native America in National and Tribal Museums
Museum exhibitions focusing on Native American history have long been curator controlled.However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content.In Decolonizing Museums, Amy Lonetree examines the complexities of these new relationships with an eye toward exploring how museums can grapple with centuries of unresolved trauma as they tell the stories of Native peoples.She investigates how museums can honor an Indigenous worldview and way of knowing, challenge stereotypical representations, and speak the hard truths of colonization within exhibition spaces to address the persistent legacies of historical unresolved grief in Native communities. Lonetree focuses on the representation of Native Americans in exhibitions at the Smithsonian's National Museum of the American Indian, the Mille Lacs Indian Museum in Minnesota, and the Ziibiwing Center of Anishinabe Culture and Lifeways in Michigan.Drawing on her experiences as an Indigenous scholar and museum professional, Lonetree analyzes exhibition texts and images, records of exhibition development, and interviews with staff members.She addresses historical and contemporary museum practices and charts possible paths for the future curation and presentation of Native lifeways.
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Museums : A History
This comprehensive history of museums begins with the origins of collecting in prehistory and traces the evolution of museums from grave goods to treasure troves, from the Alexandrian Temple of the Muses to the Renaissance cabinets of curiosities, and onto the diverse array of modern institutions worldwide.The development of museums as public institutions is explored in the context of world history with a special emphasis on the significance of objects and collecting.The book examines how the successful exportation of the European museum model and its international adaptations have created public institutions that are critical tools in diverse societies for understanding the world.Rather than focusing on a specialized aspect of museum history, this volume provides a comprehensive synthesis of museums worldwide from their earliest origins to the present.Museums: A History tells the fascinating story of how museums respond to the needs of the cultures that create them. Readers will come away with an understanding of:the comprehensive history of museums from prehistoric collections to the presentthe evolution of museums presented in the context of world historythe development of museums considered in diverse cultural contextsglobal perspective on museumsthe object-centered history of museumsmuseums as memory institutionsA constant theme throughout the book is that museums have evolved to become institutions in which objects and learning are associated to help human beings understand the world around them.Illustrations amplify the discussions.
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Imaginary Museums : Stories
In this collection of compact fictions, Nicolette Polek transports us to a gently unsettling realm inhabited by disheveled landlords, a fugitive bride, a seamstress who forgets what people look like, and two rival falconers from neighboring towns.They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence.Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.
Price: 15.99 £ | Shipping*: 3.99 £
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Do you like going to museums?
As an AI, I do not have personal preferences or feelings, so I do not have the ability to like or dislike going to museums. However, I can provide information and assistance on various topics related to museums if needed.
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Do museums also buy from collectors?
Yes, museums often buy from collectors to acquire new pieces for their collections. This can be a way for museums to obtain rare or valuable items that may not be available through other means. Purchasing from collectors also allows museums to support the art market and contribute to the preservation and display of important cultural artifacts. Additionally, buying from collectors can help museums build relationships with private collectors and potentially lead to future donations or loans of artwork.
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Do museums display their entire inventory?
No, museums do not typically display their entire inventory. Most museums have large collections that far exceed the amount of space available for display. As a result, only a small percentage of their inventory is actually on display at any given time. The rest of the collection is often kept in storage, and items may be rotated in and out of display over time. Additionally, some items in a museum's collection may be too fragile or sensitive to be displayed, and are therefore kept in controlled storage environments for preservation.
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Why are museums almost always empty?
Museums are often empty for a variety of reasons. One reason could be the location of the museum, as some may be in less populated areas or not easily accessible. Additionally, the timing of the visit could also play a role, as museums may be less crowded during weekdays or off-peak seasons. Another factor could be the specific exhibits or collections on display, as some may not be as popular or well-known, leading to lower visitor numbers. Finally, the overall lack of interest in art, history, or culture among the general public could also contribute to museums being empty.
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