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  • Mountains Piled Upon Mountains : Appalachian Nature Writing in the Anthropocene
    Mountains Piled Upon Mountains : Appalachian Nature Writing in the Anthropocene

    Mountains Piled upon Mountains features nearly fifty writers from across Appalachia sharing their place-based fiction, literary nonfiction, and poetry.Moving beyond the tradition of transcendental nature writing, much of the work collected here engages current issues facing the region and the planet (such as hydraulic fracturing, water contamination, mountaintop removal, and deforestation), and provides readers with insights on the human-nature relationship in an era of rapid environmental change.This book includes a mix of new and recent creative work by established and emerging authors.The contributors write about experiences from northern Georgia to upstate New York, invite parallels between a watershed in West Virginia and one in North Carolina, and often emphasize connections between Appalachia and more distant locations.In the pages of Mountains Piled upon Mountains are celebration, mourning, confusion, loneliness, admiration, and other emotions and experiences rooted in place but transcending Appalachia's boundaries.

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  • Wind : Nature and Culture
    Wind : Nature and Culture

    By turns creative and destructive, wind spreads seeds, fills sails and disperses the energy of the sun.Worshipped since antiquity, wind has moulded planets, decided the outcome of innumerable battles and shaped the evolution of humans and animals - yet it remains intangible and unpredictable. In this book Louise M. Pryke explores the science behind wind, as well as how it has been imagined and portrayed in myth, religion, art and literature since ancient times.Its formative effect on the Earth's environment is reflected in its prominent role in myths and religions of antiquity.In the modern day, wind has inspired ground-breaking scientific innovations, and appeared in artistic works as diverse as the art of Van Gogh, the poetry of Keats and the blockbuster film Twister.

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  • Glacier : Nature and Culture
    Glacier : Nature and Culture

    As major actors in the unfolding drama of climate change, glaciers feature prominently in Earth’s past and its future.Wherever on the planet we live, glaciers affect each of us directly.They control the atmospheric and ocean circulations that drive the weather; they supply drinking and irrigation water to millions of people; and they protect us from catastrophic sea-level rise.The very existence of glaciers affects our view of the planet and of ourselves, but it is less than 200 years since we realised that ice ages come and go, and that glaciers once covered much more of the planet’s surface than they do now.An inspiration to artists, a challenge for engineers, glaciers mean different things to different people.Crossing the boundaries between art, environment, science, nature and culture, this book uniquely considers glaciers from a myriad perspectives, revealing their complexity, majesty and importance, but also their fragility.

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  • Nature, Culture, and Inequality
    Nature, Culture, and Inequality

    A Guardian book to look out for in 2024An insightful exploration of the nature of inequality by the internationally bestselling author of Capital in the Twenty-First Century. In his newest work, Thomas Piketty explores how social inequality manifests itself very differently depending on the society and epoch in which it arises.History and culture play a central role, inequality being strongly linked to various socio-economic, political, civilisational, and religious developments.So it is culture in the broadest sense that makes it possible to explain the diversity, extent, and structure of the social inequality that we observe every day. Piketty briefly and concisely presents a lively synthesis of his work, taking up such diverse topics as education, inheritance, taxes, and the climate crisis, and provides exciting food for thought for a highly topical debate: Does natural inequality exist?

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  • Is alpaca silver real silver?

    Alpaca silver is not real silver. It is a metal alloy made primarily of copper, nickel, and zinc, with no actual silver content. Alpaca silver is often used as a more affordable alternative to real silver in jewelry and other decorative items. While it may have a similar appearance to silver, it does not possess the same properties or value.

  • Is old silver real silver?

    Yes, old silver can be real silver. Silver is a naturally occurring metal and has been used for centuries to make various items such as jewelry, coins, and tableware. Over time, silver can develop a patina or tarnish, giving it an aged appearance. It is important to have old silver items tested by a professional to confirm their authenticity and purity.

  • Is the silver jewelry not real silver?

    The silver jewelry is indeed real silver. It has been tested and verified to be genuine silver. The quality and authenticity of the silver used in the jewelry is guaranteed. You can be confident that the silver jewelry is real and of high quality.

  • Is nickel silver more expensive than silver?

    Nickel silver is actually not made of silver at all, but rather a combination of copper, nickel, and zinc. Because it does not contain any actual silver, it is generally less expensive than pure silver. Nickel silver is often used as a more affordable alternative to silver for items such as jewelry, tableware, and musical instruments.

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  • Meteorite : Nature and Culture
    Meteorite : Nature and Culture

    Meteorites are among the rarest objects on Earth, yet they have left a pervasive mark on our planet and civilization.Arriving amidst thunderous blasts and flame-streaked skies, meteorites were once thought to be messengers from the gods, embodiments of the divine.Prized for their outlandish qualities, meteorites are a collectible, a commodity, objects of art and artists' desires and a literary muse. 'Meteorite hunting' is an adventurous, lucrative profession for some, and an addictive hobby for thousands of others.Meteorite: Nature and Culture is a unique, richly illustrated cultural history of these ancient and mysterious phenomena.Taking in a wide range of sources Maria Golia pays homage to the scientists, scholars and aficionados who have scoured the skies and combed the Earth's most unforgiving reaches for meteorites, contributing to a body of work that situates our planet and ourselves within the vastness of the Universe.Appealing to collectors and hobbyists alike, as well as any lovers of nature, marvel and paradox, this book offers an accessible overview of what science has learned from meteorites, beginning with the scientific community's reluctant embrace of their interplanetary origins, and explores their power to reawaken that precious, yet near-forgotten human trait - the capacity for awe.

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  • Mountain : Nature and Culture
    Mountain : Nature and Culture

    Majestic and awe-inspiring, mountains demand our attention.Through the centuries, they have both repulsed and attracted.They have been appreciated and despised as sites of divine and diabolic sublimity, as the dwellings of gods and demons, hermits and revolutionaries.Mountain encounters have defined ways of seeing. They have changed our sense of time. They have pushed the boundary between life and death.Progressively tamed, exploited, even commodified, today mountains continue to attract seekers of spiritual quietness and of extreme emotions alike, as well as weekend travellers looking for a break from the everyday.In this compelling journey through peaks both real and imaginary, Veronica della Dora explores how the history of mountains is deeply interlaced with cultural values and aesthetic tastes, with religious beliefs and scientific practices.She shows how mountains are ultimately collaborations between geology and the human imagination, and how they have helped shape our environmental consciousness and our place in the world. Magnificently illustrated, and featuring examples from five continents and beyond, Mountain offers a fascinating exploration of mountains and the idea of mountain in art and literature, science and sport, religion and myth.

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  • Beyond Nature and Culture
    Beyond Nature and Culture

    Successor to Claude Levi-Strauss at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.

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  • Beyond Nature and Culture
    Beyond Nature and Culture

    Successor to Claude Levi-Strausa at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.

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  • Is 925 silver the most precious silver?

    No, 925 silver is not the most precious silver. It is also known as sterling silver, which is an alloy made up of 92.5% silver and 7.5% other metals, usually copper. The most precious form of silver is pure silver, which is 99.9% silver. However, pure silver is too soft for most jewelry and other applications, which is why sterling silver is commonly used.

  • How is silver produced from silver oxide?

    Silver is produced from silver oxide through a chemical reaction called reduction. When silver oxide is heated in the presence of a reducing agent such as hydrogen or carbon monoxide, the oxygen atoms in the silver oxide are removed, leaving behind pure silver. The reaction can be represented by the following equation: 2Ag2O(s) + heat → 4Ag(s) + O2(g) This process is commonly used in the production of silver from silver oxide in industrial settings.

  • Is silver-colored the same as silver-plated?

    No, silver-colored and silver-plated are not the same. Silver-colored typically refers to an item that is colored to resemble silver but is not made of actual silver. On the other hand, silver-plated items are made of a base metal (such as copper or brass) that is coated with a thin layer of silver through a process called electroplating. Silver-plated items have a layer of real silver, whereas silver-colored items do not.

  • By what are silver ions reduced to silver?

    Silver ions are reduced to silver through a chemical reaction involving the transfer of electrons. This reduction reaction can be facilitated by a reducing agent, such as a metal or a chemical compound, that donates electrons to the silver ions, causing them to gain electrons and form solid silver. This process is commonly used in electroplating and in the production of silver nanoparticles.

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