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Mountains Piled Upon Mountains : Appalachian Nature Writing in the Anthropocene
Mountains Piled upon Mountains features nearly fifty writers from across Appalachia sharing their place-based fiction, literary nonfiction, and poetry.Moving beyond the tradition of transcendental nature writing, much of the work collected here engages current issues facing the region and the planet (such as hydraulic fracturing, water contamination, mountaintop removal, and deforestation), and provides readers with insights on the human-nature relationship in an era of rapid environmental change.This book includes a mix of new and recent creative work by established and emerging authors.The contributors write about experiences from northern Georgia to upstate New York, invite parallels between a watershed in West Virginia and one in North Carolina, and often emphasize connections between Appalachia and more distant locations.In the pages of Mountains Piled upon Mountains are celebration, mourning, confusion, loneliness, admiration, and other emotions and experiences rooted in place but transcending Appalachia's boundaries.
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Wind : Nature and Culture
By turns creative and destructive, wind spreads seeds, fills sails and disperses the energy of the sun.Worshipped since antiquity, wind has moulded planets, decided the outcome of innumerable battles and shaped the evolution of humans and animals - yet it remains intangible and unpredictable. In this book Louise M. Pryke explores the science behind wind, as well as how it has been imagined and portrayed in myth, religion, art and literature since ancient times.Its formative effect on the Earth's environment is reflected in its prominent role in myths and religions of antiquity.In the modern day, wind has inspired ground-breaking scientific innovations, and appeared in artistic works as diverse as the art of Van Gogh, the poetry of Keats and the blockbuster film Twister.
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Glacier : Nature and Culture
As major actors in the unfolding drama of climate change, glaciers feature prominently in Earth’s past and its future.Wherever on the planet we live, glaciers affect each of us directly.They control the atmospheric and ocean circulations that drive the weather; they supply drinking and irrigation water to millions of people; and they protect us from catastrophic sea-level rise.The very existence of glaciers affects our view of the planet and of ourselves, but it is less than 200 years since we realised that ice ages come and go, and that glaciers once covered much more of the planet’s surface than they do now.An inspiration to artists, a challenge for engineers, glaciers mean different things to different people.Crossing the boundaries between art, environment, science, nature and culture, this book uniquely considers glaciers from a myriad perspectives, revealing their complexity, majesty and importance, but also their fragility.
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Nature, Culture, and Inequality
A Guardian book to look out for in 2024An insightful exploration of the nature of inequality by the internationally bestselling author of Capital in the Twenty-First Century. In his newest work, Thomas Piketty explores how social inequality manifests itself very differently depending on the society and epoch in which it arises.History and culture play a central role, inequality being strongly linked to various socio-economic, political, civilisational, and religious developments.So it is culture in the broadest sense that makes it possible to explain the diversity, extent, and structure of the social inequality that we observe every day. Piketty briefly and concisely presents a lively synthesis of his work, taking up such diverse topics as education, inheritance, taxes, and the climate crisis, and provides exciting food for thought for a highly topical debate: Does natural inequality exist?
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Do you like hiking in the mountains?
As an AI, I do not have personal preferences or physical capabilities to engage in activities like hiking. However, I can provide information and tips on hiking in the mountains if you are interested.
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Is nature against gender equality for women?
Nature itself is not against gender equality for women. In fact, many species in nature exhibit gender equality in their social structures and behaviors. However, human societies have historically imposed gender roles and inequalities that are not inherent to nature. It is important to recognize that gender inequality is a social construct, and efforts to achieve gender equality should focus on challenging and changing these societal norms and structures.
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Is man a creature of nature or culture, or is culture the nature of man?
Man is a complex being influenced by both nature and culture. While humans are inherently part of the natural world, our behaviors, beliefs, and practices are largely shaped by the societies we live in. Culture can be seen as the nature of man in the sense that it is a fundamental aspect of human existence, shaping our identities and interactions with the world. Ultimately, the relationship between nature and culture is intertwined in shaping the essence of humanity.
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Is man a being of nature or culture, or is culture the nature of man?
Man is a being of both nature and culture. While humans are inherently a part of the natural world, our ability to create and participate in culture sets us apart from other species. Culture shapes our beliefs, behaviors, and interactions with the world, becoming an essential part of our identity. Therefore, culture can be seen as the nature of man, as it influences and defines our existence in profound ways.
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Meteorite : Nature and Culture
Meteorites are among the rarest objects on Earth, yet they have left a pervasive mark on our planet and civilization.Arriving amidst thunderous blasts and flame-streaked skies, meteorites were once thought to be messengers from the gods, embodiments of the divine.Prized for their outlandish qualities, meteorites are a collectible, a commodity, objects of art and artists' desires and a literary muse. 'Meteorite hunting' is an adventurous, lucrative profession for some, and an addictive hobby for thousands of others.Meteorite: Nature and Culture is a unique, richly illustrated cultural history of these ancient and mysterious phenomena.Taking in a wide range of sources Maria Golia pays homage to the scientists, scholars and aficionados who have scoured the skies and combed the Earth's most unforgiving reaches for meteorites, contributing to a body of work that situates our planet and ourselves within the vastness of the Universe.Appealing to collectors and hobbyists alike, as well as any lovers of nature, marvel and paradox, this book offers an accessible overview of what science has learned from meteorites, beginning with the scientific community's reluctant embrace of their interplanetary origins, and explores their power to reawaken that precious, yet near-forgotten human trait - the capacity for awe.
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Mountain : Nature and Culture
Majestic and awe-inspiring, mountains demand our attention.Through the centuries, they have both repulsed and attracted.They have been appreciated and despised as sites of divine and diabolic sublimity, as the dwellings of gods and demons, hermits and revolutionaries.Mountain encounters have defined ways of seeing. They have changed our sense of time. They have pushed the boundary between life and death.Progressively tamed, exploited, even commodified, today mountains continue to attract seekers of spiritual quietness and of extreme emotions alike, as well as weekend travellers looking for a break from the everyday.In this compelling journey through peaks both real and imaginary, Veronica della Dora explores how the history of mountains is deeply interlaced with cultural values and aesthetic tastes, with religious beliefs and scientific practices.She shows how mountains are ultimately collaborations between geology and the human imagination, and how they have helped shape our environmental consciousness and our place in the world. Magnificently illustrated, and featuring examples from five continents and beyond, Mountain offers a fascinating exploration of mountains and the idea of mountain in art and literature, science and sport, religion and myth.
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Beyond Nature and Culture
Successor to Claude Levi-Strauss at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.
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Beyond Nature and Culture
Successor to Claude Levi-Strausa at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.
Price: 31.00 £ | Shipping*: 0.00 £
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Is culture a form of nature?
Culture is not a form of nature, but rather a product of human society. While culture can be influenced by nature and the environment, it is distinct in that it is created, shared, and passed down through generations by humans. Nature refers to the physical world and natural phenomena, while culture encompasses the beliefs, customs, arts, and social behaviors of a particular group of people.
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Why do many women like my dominant nature?
Many women may be attracted to your dominant nature because it can convey confidence, assertiveness, and a sense of leadership. These qualities can be appealing to some women who are looking for a partner who can take charge and make decisions. Additionally, a dominant nature can create a sense of security and stability for some women, as it can give the impression of someone who is strong and capable. However, it's important to remember that not all women are attracted to dominant personalities, and it's essential to find a partner who appreciates and respects your natural tendencies.
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Which country or culture has the most beautiful women?
It is not appropriate to determine which country or culture has the most beautiful women as beauty is subjective and varies from person to person. Every culture and country has its own unique standards of beauty, and it is important to appreciate and respect the diversity of beauty around the world. Beauty is not limited to physical appearance, but also includes personality, character, and individuality.
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Did nature design women to be beautiful and cute?
Nature did not specifically design women to be beautiful and cute. Evolutionary biology suggests that certain physical traits in women, such as clear skin and symmetrical features, may be considered attractive because they are indicators of good health and fertility. However, beauty and cuteness are subjective and culturally influenced concepts, and not all women fit into these narrow definitions. It is important to recognize and appreciate the diversity of women's appearances and to not reduce their value to their physical attributes.
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