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  • Border Culture : Theory, Imagination, Geopolitics
    Border Culture : Theory, Imagination, Geopolitics

    This book introduces readers to the cultural imaginings of borders: the in-between spaces in which transnationalism collides with geopolitical cooperation and contestation. Recent debates about the "refugee crisis" and the spread of the COVID-19 pandemic have politicized culture at and of borders like never before.Border culture is no longer culture at the margins but rather culture at the heart of geopolitics, flows, and experience of the transnational world.Increasingly, culture and borders are everywhere yet nowhere.In border spaces, national narratives and counter-narratives are tested and evaluated, coming up against transnational culture.This book provides an extensive and critical vision of border culture on the move, drawing on numerous examples worldwide and a growing international literature across border and cultural studies.It shows how border culture develops in the human imagination and manifests in human constructs of "nation" and "state", as well as in transnationalism.By analyzing this new and expanding cultural geography of border landscapes, the book shows the way to a fresh, broader dialogue. Exploring the nature and meaning of the intersection of border and culture, this book will be an essential read for students and researchers across border studies, geopolitics, geography, and cultural studies.

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  • Mimicry and Display in Victorian Literary Culture : Nature, Science and the Nineteenth-Century Imagination
    Mimicry and Display in Victorian Literary Culture : Nature, Science and the Nineteenth-Century Imagination

    Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations.Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens.Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and infused the rhetoric of cultural criticism and political activism.

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  • Imagination!
    Imagination!


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  • Imagination (Wonder & Imagination) Unlined Hardcover Journal
    Imagination (Wonder & Imagination) Unlined Hardcover Journal

    The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”

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  • What is imagination?

    Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.

  • Was it imagination?

    Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.

  • Fantasy or imagination?

    Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.

  • Do animals have imagination?

    While animals may not have the same level of imagination as humans, there is evidence to suggest that some animals do possess a degree of imagination. For example, certain species of birds have been observed using tools in creative ways to solve problems, which could indicate a level of imagination. Additionally, animals like dolphins and elephants have displayed behaviors that suggest they can think beyond their immediate circumstances and imagine different possibilities. Overall, while the extent of animal imagination may differ from humans, there are indications that some animals do possess this cognitive ability to some degree.

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  • Anthropocene Ecologies : Entanglements of Tourism, Nature and Imagination
    Anthropocene Ecologies : Entanglements of Tourism, Nature and Imagination

    Anthropocene Ecologies brings political ecology and tourism studies to bear on the Anthropocene.Through a collective examination of political ecologies of the Anthropocene by leading scholars in anthropology, geography and tourism studies, the book addresses critical themes of gender, health, conservation, agriculture, climate change, disaster, coastal marine management and sustainability.Each chapter theoretically and empirically unravels entanglements of tourism, nature and imagination to expose the political-ecological drivers of the Anthropocene as a material and symbolic force and its deepening integration with tourism.Grounded in ethnographic and qualitative research, the volume is interdisciplinary in scope, yet linked in its shared focus on the political threat as well as the social potential of the Anthropocene and its imaginaries.This collection contributes to emerging scholarship on tourism, sustainability and global environmental change in the current geological epoch. Anthropocene Ecologies will be of great interest to political ecology focused scholars of tourism, socio-environmental change and the Anthropocene.The chapters were originally published as a special issue in the Journal of Sustainable Tourism.

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  • Trickster Makes This World : How Disruptive Imagination Creates Culture.
    Trickster Makes This World : How Disruptive Imagination Creates Culture.

    Trickster disrupted the world around him, and in doing so he reshaped it.Playful, mischievous, subversive, amoral, tricksters are a great bother to have around, but they are also indispensable heroes of culture. Trickster Makes This World revisits the stories of Coyote, Eshu and Hermes and holds them up against the life and work of more recent creators: Pablo Picasso, Marcel Duchamp, John Cage, Allen Ginsberg, Maxine Hong Kingston and others.Authoritative in its scholarship, supple and dynamic in its style, Trickster Makes This World encourages you to think and see afresh.

    Price: 10.99 £ | Shipping*: 3.99 £
  • Active Imagination
    Active Imagination


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  • Explaining Imagination
    Explaining Imagination

    This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence.It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand.Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions.In different combinations and contexts, these states constitute cases of imagining.This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with its own inscrutable principles of operation.Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states—judgments, beliefs, desires, and decisions among them.Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.

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  • Imagination or Reality: Spider?

    Spiders are a reality in the natural world, existing in various species and habitats around the globe. However, the fear or fascination that spiders evoke in individuals can often lead to imaginative interpretations or exaggerated perceptions of these creatures. While some may view spiders as terrifying or dangerous, others may appreciate their role in controlling insect populations and admire their intricate webs and unique characteristics. Ultimately, the perception of spiders can vary between imagination and reality, depending on individual experiences and perspectives.

  • Has the imagination diminished?

    No, the imagination has not diminished. In fact, with advancements in technology and access to a wide range of creative outlets, the imagination has the potential to flourish more than ever before. People are constantly creating and consuming new forms of art, literature, and media, which requires a strong imagination. Additionally, the ability to envision and create new solutions to complex problems is a key aspect of human imagination, and this capacity continues to be essential in various fields such as science, engineering, and design. Therefore, the imagination remains a powerful and essential aspect of human creativity and innovation.

  • Is faith just imagination?

    Faith is not just imagination. While imagination can play a role in shaping one's beliefs and understanding of faith, faith itself is a deeply held conviction or trust in something that is beyond the realm of empirical evidence. It involves a strong belief in something greater than oneself, and often serves as a source of hope, comfort, and guidance in the face of uncertainty. Faith can be based on personal experiences, teachings, or spiritual insights, and is not simply a product of imagination.

  • Electric shock or imagination?

    Electric shock and imagination are two very different things. Electric shock is a physical sensation caused by the flow of electric current through the body, while imagination is a mental process of creating images, ideas, or sensations that are not actually present. It is important to differentiate between the two in order to accurately assess and address any potential risks or concerns. If someone is experiencing symptoms of electric shock, it is important to seek medical attention immediately, while imagination is a natural and creative aspect of human cognition.

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