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An Invitation to Fractal Geometry : Fractal Dimensions, Self-Similarity and Fractal Curves
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Mountains Piled Upon Mountains : Appalachian Nature Writing in the Anthropocene
Mountains Piled upon Mountains features nearly fifty writers from across Appalachia sharing their place-based fiction, literary nonfiction, and poetry.Moving beyond the tradition of transcendental nature writing, much of the work collected here engages current issues facing the region and the planet (such as hydraulic fracturing, water contamination, mountaintop removal, and deforestation), and provides readers with insights on the human-nature relationship in an era of rapid environmental change.This book includes a mix of new and recent creative work by established and emerging authors.The contributors write about experiences from northern Georgia to upstate New York, invite parallels between a watershed in West Virginia and one in North Carolina, and often emphasize connections between Appalachia and more distant locations.In the pages of Mountains Piled upon Mountains are celebration, mourning, confusion, loneliness, admiration, and other emotions and experiences rooted in place but transcending Appalachia's boundaries.
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Custom Go Outdoors Hiking Patch Embroidery Patch for Jackets Mountains Nature Hiking badge applique iron sew on patches
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Wind: Nature and Culture
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What are similarity ratios?
Similarity ratios are ratios that compare the corresponding sides of two similar figures. They help us understand the relationship between the sides of similar shapes. The ratio of corresponding sides in similar figures is always the same, which means that if you know the ratio of one pair of sides, you can use it to find the ratio of other pairs of sides. Similarity ratios are important in geometry and are used to solve problems involving similar figures.
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What is the difference between similarity theorem 1 and similarity theorem 2?
Similarity theorem 1, also known as the Angle-Angle (AA) similarity theorem, states that if two angles of one triangle are congruent to two angles of another triangle, then the triangles are similar. On the other hand, similarity theorem 2, also known as the Side-Angle-Side (SAS) similarity theorem, states that if two sides of one triangle are proportional to two sides of another triangle and the included angles are congruent, then the triangles are similar. The main difference between the two theorems is the criteria for establishing similarity - AA theorem focuses on angle congruence, while SAS theorem focuses on both side proportionality and angle congruence.
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How can one calculate the similarity factor to determine the similarity of triangles?
The similarity factor can be calculated by comparing the corresponding sides of two triangles. To do this, one can divide the length of one side of the first triangle by the length of the corresponding side of the second triangle. This process is repeated for all three pairs of corresponding sides. If the ratios of the corresponding sides are equal, then the triangles are similar, and the similarity factor will be 1. If the ratios are not equal, the similarity factor will be the ratio of the two triangles' areas.
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How can the similarity factor for determining the similarity of triangles be calculated?
The similarity factor for determining the similarity of triangles can be calculated by comparing the corresponding sides of the two triangles. If the ratio of the lengths of the corresponding sides of the two triangles is the same, then the triangles are similar. This ratio can be calculated by dividing the length of one side of a triangle by the length of the corresponding side of the other triangle. If all three ratios of corresponding sides are equal, then the triangles are similar. This is known as the similarity factor and is used to determine the similarity of triangles.
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Nature, Culture, and Inequality
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Beyond Nature and Culture
Successor to Claude Levi-Strausa at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its publication in 2005.Here, finally, it is brought to English-language readers.At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture?Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces.Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one.Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.
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Meteorite : Nature and Culture
Meteorites are among the rarest objects on Earth, yet they have left a pervasive mark on our planet and civilization.Arriving amidst thunderous blasts and flame-streaked skies, meteorites were once thought to be messengers from the gods, embodiments of the divine.Prized for their outlandish qualities, meteorites are a collectible, a commodity, objects of art and artists' desires and a literary muse. 'Meteorite hunting' is an adventurous, lucrative profession for some, and an addictive hobby for thousands of others.Meteorite: Nature and Culture is a unique, richly illustrated cultural history of these ancient and mysterious phenomena.Taking in a wide range of sources Maria Golia pays homage to the scientists, scholars and aficionados who have scoured the skies and combed the Earth's most unforgiving reaches for meteorites, contributing to a body of work that situates our planet and ourselves within the vastness of the Universe.Appealing to collectors and hobbyists alike, as well as any lovers of nature, marvel and paradox, this book offers an accessible overview of what science has learned from meteorites, beginning with the scientific community's reluctant embrace of their interplanetary origins, and explores their power to reawaken that precious, yet near-forgotten human trait - the capacity for awe.
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Mountain : Nature and Culture
Majestic and awe-inspiring, mountains demand our attention.Through the centuries, they have both repulsed and attracted.They have been appreciated and despised as sites of divine and diabolic sublimity, as the dwellings of gods and demons, hermits and revolutionaries.Mountain encounters have defined ways of seeing. They have changed our sense of time. They have pushed the boundary between life and death.Progressively tamed, exploited, even commodified, today mountains continue to attract seekers of spiritual quietness and of extreme emotions alike, as well as weekend travellers looking for a break from the everyday.In this compelling journey through peaks both real and imaginary, Veronica della Dora explores how the history of mountains is deeply interlaced with cultural values and aesthetic tastes, with religious beliefs and scientific practices.She shows how mountains are ultimately collaborations between geology and the human imagination, and how they have helped shape our environmental consciousness and our place in the world. Magnificently illustrated, and featuring examples from five continents and beyond, Mountain offers a fascinating exploration of mountains and the idea of mountain in art and literature, science and sport, religion and myth.
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Do you see the similarity?
Yes, I see the similarity between the two concepts. Both share common characteristics and features that make them comparable. The similarities can be observed in their structure, function, and behavior. These similarities help in understanding and drawing parallels between the two concepts.
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'How do you prove similarity?'
Similarity between two objects can be proven using various methods. One common method is to show that the corresponding angles of the two objects are congruent, and that the corresponding sides are in proportion to each other. Another method is to use transformations such as dilation, where one object can be scaled up or down to match the other object. Additionally, if the ratio of the lengths of corresponding sides is equal, then the two objects are similar. These methods can be used to prove similarity in geometric figures such as triangles or other polygons.
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What is similarity in mathematics?
In mathematics, similarity refers to the relationship between two objects or shapes that have the same shape but are not necessarily the same size. This means that the objects are proportional to each other, with corresponding angles being equal and corresponding sides being in the same ratio. Similarity is often used in geometry to compare and analyze shapes, allowing for the transfer of properties and measurements from one shape to another.
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What is the similarity ratio?
The similarity ratio is a comparison of the corresponding sides of two similar figures. It is used to determine how the dimensions of one figure compare to the dimensions of another figure when they are similar. The ratio is calculated by dividing the length of a side of one figure by the length of the corresponding side of the other figure. This ratio remains constant for all pairs of corresponding sides in similar figures.
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