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Nature and Literary Studies
Nature and Literary Studies supplies a broad and accessible overview of one of the most important and contested keywords in modern literary studies.Drawing together the work of leading scholars of a variety of critical approaches, historical periods, and cultural traditions, the book examines nature's philosophical, theological, and scientific origins in literature, as well as how literary representations of this concept evolved in response to colonialism, industrialization, and new forms of scientific knowledge.Surveying nature's diverse applications in twenty-first-century literary studies and critical theory, the volume seeks to reconcile nature's ideological baggage with its fundamental role in fostering appreciation of nonhuman being and agency.Including chapters on wilderness, pastoral, gender studies, critical race theory, and digital literature, the book is a key resource for students and professors seeking to understand nature's role in the environmental humanities.
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Neoliberalism and Contemporary Literary Culture
Neoliberalism has been a buzzword in literary studies for well over a decade, but its meaning remains ambiguous and its salience contentious.In Neoliberalism and Contemporary Literary Culture, Mitchum Huehls and Rachel Greenwald Smith offer a wide-ranging exploration of contemporary literature through the lens of neoliberalism's economic, social, and cultural ascendance.Bringing together accessible and provocative essays from top literary scholars, this innovative collection examines neoliberalism's influence on literary theory and methodology, literary form, literary representation, and literary institutions.A four-phase approach to the historical emergence of neoliberalism from the early 1970s to the present helps to clarify the complexity of the relationship between neoliberalism and literary culture. Layering that history over the diverse changes in a US-Anglo literary field that has moved away from postmodern forms and sensibilities, the book argues that many literary developments-including the return to realism, the rise of the memoir, the embrace of New Materialist theory, and the pursuit of aesthetic autonomy-make more coherent sense when viewed in light of neoliberalism's ever-increasing expansion into the cultural sphere. The essays gathered here engage a diverse range of theorists, including Michel Foucault, Wendy Brown, Giorgio Agamben, Bruno Latour, Maurice Merleau-Ponty, Gary Becker, and Eve Sedgwick to address the reciprocal relationship between neoliberalism and conceptual fields such as biopolitics, affect, phenomenology, ecology, and new materialist ontology.These theoretical perspectives are complemented by innovative readings of contemporary works of literature by writers such as Jennifer Egan, Ben Lerner, Gillian Flynn, Teju Cole, Jonathan Franzen, Chimamanda Ngozi Adichie, Salvador Plascencia, E.L. James, Lisa Robertson, Kenneth Goldsmith, and many others. Neoliberalism and Contemporary Literary Culture is essential reading for anyone invested in the ever-changing state of literary culture.
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Literary Manuscript Culture in Romantic Britain
Literary Manuscript Culture in Romantic Britain
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Medical Texts in Anglo-Saxon Literary Culture
Winner of the Best First Monograph from the International Society for the Study of Early Medieval England (ISSEME) 2021. An examination of the Old English medical collections, arguing that these texts are products of a learned intellectual culture. Four complete medical collections survive from Anglo-Saxon England.These were first edited by Oswald Cockayne in the nineteenth century and came to be known by the names Bald's Leechbook, Leechbook III, the Lacnunga, and the Old English Pharmacopeia.Together these works represent the earliest complete collections of medical material in a western vernacular language. This book examines these texts as products of a learned literary culture.While earlier scholarship tended to emphasise the relationship of these works to folk belief or popular culture, this study suggests that all four extant collections were probably produced in major ecclesiastical centres.It examines the collections individually, emphasising their differences of content and purpose, while arguing that each consistently displays connections with an elite intellectual culture.The final chapter considers the fundamentally positive depiction of doctors and medicine found within literary and ecclesiastical works from the period and suggests that the high esteem for medicine in literate circles may have favoured the study and translation of medical texts.
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What are literary and non-literary texts?
Literary texts are written works that are considered to have artistic or intellectual value, such as novels, poems, plays, and short stories. They often use language in creative and imaginative ways to evoke emotions and convey deeper meanings. Non-literary texts, on the other hand, are written works that are primarily informative or practical in nature, such as textbooks, newspapers, scientific articles, and technical manuals. They focus on presenting facts, arguments, or instructions in a clear and straightforward manner, rather than on artistic expression.
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What are literary traditions?
Literary traditions refer to the customs, styles, themes, and techniques that are passed down through generations within a particular culture or community. These traditions help shape the way literature is created and understood within a specific context, providing a framework for writers to draw upon and innovate within. By engaging with and building upon literary traditions, writers can contribute to the ongoing evolution and richness of a literary heritage.
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What are literary movements?
Literary movements are periods of time in which a group of writers and artists share similar ideas, styles, and themes in their work. These movements often arise in response to social, political, or cultural changes and can be characterized by a particular aesthetic or philosophical approach to literature. Examples of literary movements include Romanticism, Modernism, and Postcolonialism. These movements can have a significant impact on the development of literature and can help to define the cultural and artistic landscape of a particular time period.
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What are literary texts?
Literary texts are written works that are considered to have artistic or literary merit. They can include a wide range of genres, such as novels, short stories, poetry, plays, and essays. Literary texts often use language in creative and imaginative ways to evoke emotions, convey complex ideas, and explore the human experience. They are often studied for their themes, characters, symbolism, and style, and are valued for their ability to provide insight into different cultures, historical periods, and perspectives.
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Mimicry and Display in Victorian Literary Culture : Nature, Science and the Nineteenth-Century Imagination
Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations.Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens.Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and infused the rhetoric of cultural criticism and political activism.
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Scale, Space and Canon in Ancient Literary Culture
Greek culture matters because its unique pluralistic debate shaped modern discourses.This ground-breaking book explains this feature by retelling the history of ancient literary culture through the lenses of canon, space and scale.It proceeds from the invention of the performative 'author' in the archaic symposium through the 'polis of letters' enabled by Athenian democracy and into the Hellenistic era, where one's space mattered and culture became bifurcated between Athens and Alexandria.This duality was reconfigured into an eclectic variety consumed by Roman patrons and predicated on scale, with about a thousand authors active at any given moment.As patronage dried up in the third century CE, scale collapsed and literary culture was reduced to the teaching of a narrower field of authors, paving the way for the Middle Ages.The result is a new history of ancient culture which is sociological, quantitative, and all-encompassing, cutting through eras and genres.
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OutWrite : The Speeches That Shaped LGBTQ Literary Culture
Running from 1990 to 1999, the annual OutWrite conference played a pivotal role in shaping LGBTQ literary culture in the United States and its emerging canon.OutWrite provided a space where literary lions who had made their reputations before the gay liberation movement—like Edward Albee, John Rechy, and Samuel R.Delany—could mingle, network, and flirt with a new generation of emerging queer writers like Tony Kushner, Alison Bechdel, and Sarah Schulman. This collection gives readers a taste of this fabulous moment in LGBTQ literary history with twenty-seven of the most memorable speeches from the OutWrite conference, including both keynote addresses and panel presentations.These talks are drawn from a diverse array of contributors, including Allen Ginsberg, Judy Grahn, Essex Hemphill, Patrick Califia, Dorothy Allison, Allan Gurganus, Chrystos, John Preston, Linda Villarosa, Edmund White, and many more. OutWrite offers readers a front-row seat to the passionate debates, nascent identity politics, and provocative ideas that helped animate queer intellectual and literary culture in the 1990s.Covering everything from racial representation to sexual politics, the still-relevant topics in these talks are sure to strike a chord with today’s readers.
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The Joyce Country : Literary Scholarship and Irish Culture
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What is a literary book?
A literary book is a work of fiction or non-fiction that is considered to have artistic or intellectual value. These books often focus on exploring complex themes, character development, and language use in a way that goes beyond mere entertainment. Literary books are typically well-crafted and thought-provoking, inviting readers to engage with the text on a deeper level and often leaving a lasting impact.
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What are literary valuable books?
Literary valuable books are those that have stood the test of time and continue to be relevant and influential in the world of literature. These books often explore complex themes, offer profound insights into the human experience, and showcase exceptional writing and storytelling. They are considered classics for their enduring impact on readers and their ability to transcend cultural and historical boundaries.
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Exciting literary classics are sought.
Exciting literary classics are sought after by readers who are looking for engaging and captivating stories that have stood the test of time. These classics often feature compelling characters, intricate plots, and thought-provoking themes that continue to resonate with audiences. Whether it's the thrilling adventures of "The Count of Monte Cristo" or the mysterious world of "Alice's Adventures in Wonderland," these timeless works of literature provide a sense of excitement and wonder that keeps readers coming back for more.
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'Looking for Latin literary devices'
Latin literature is rich with various literary devices that enhance the beauty and depth of the language. Some common Latin literary devices include: 1. Alliteration: the repetition of consonant sounds at the beginning of words, such as in the phrase "veni, vidi, vici" (I came, I saw, I conquered). 2. Hyperbole: the use of exaggerated statements or claims for emphasis, such as in the phrase "totus mundus agit histrionem" (the whole world is a stage). 3. Metaphor: a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable, such as in the phrase "carpe diem" (seize the day). These are just a few examples of the many literary devices found in Latin literature, which add depth and beauty to the language.
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